PROMUSICAE Publishes the 2025 Report on the Recorded Music Industry

Recorded music sales in Spain grew by 13.7% in 2025, reaching their highest level in more than two decades

The market exceeds 409 million euros in industry value (674.5 million euros in retail price), driven by streaming and strong growth in vinyl sales, while Spain still has significant room for growth in the adoption of paid subscriptions

 

The recorded music industry in Spain ended 2025 with 13.7% growth, reaching 409.5 million euros in industry value and returning to the revenue levels recorded in 2003. This is reflected in the report *An In-Depth Analysis of the Recorded Music Market 2025*, prepared by PROMUSICAE, which confirms the strength of a sector that has enjoyed more than a decade of sustained growth thanks to the consolidation of digital consumption.

 

Total revenue represents a market worth 674.5 million euros at retail price (RRP) and marks a new high in the recovery that began following the crisis caused by digital piracy. Music sales accounted for 84% of the sector’s revenue, reaching 343.7 million euros, although they remain 26% below the all-time highs recorded in 2001.

 

The digital ecosystem remains the industry’s main driving force. Streaming accounted for more than 99% of digital revenue, and paid subscriptions alone accounted for 52.2% of the sector’s total revenue, establishing themselves as the primary source of funding for recorded music in Spain. Overall, the digital market reached 302.1 million euros, accounting for 87.9% of music sales.

 

At the same time, the physical market continues to perform very well. Sales grew by 31.6%, reaching 41.7 million euros, driven primarily by vinyl, which now accounts for 69.2% of the physical market. In 2025, 2.18 million vinyl records were sold, 30% more than the previous year and 77.8% more than in 2020.

 

Spain’s growth exceeds the global average

The report also points to a favorable international context. According to IFPI data, global revenue from recorded music grew by 6.4% in 2025, reaching $31.7 billion and marking the eleventh consecutive year of growth. Streaming subscriptions accounted for 52.4% of global revenue and now total 837 million paying users.

 

Against this backdrop, Spain once again ranked among Europe’s best-performing markets, with growth of 13.7%, far exceeding that of the United Kingdom (+4.8%), France (+3.7%), and Germany (+1.7%). However, the country remains in 14th place worldwide in the music market rankings, mainly due to the low penetration of streaming subscriptions, which reach only 14% of the population, compared to an average of 25% in the European Union, 46% in the United Kingdom, and 52% in the United States.

 

Spanish artists remain prominent in the market

Local production continued to play a central role in music consumption. Of the 100 best-selling albums of the year, 51 were by Spanish artists, while 34 songs by Spanish artists made it onto the list of the 100 best-selling singles of 2025. In addition, for 27 of the 52 weeks of the year, the number one spot on the official album chart was held by a Spanish artist.

 

The report also highlights the growth in revenue generated by Spanish artists on digital platforms. According to data collected by Spotify in its 2026 Loud & Clear report, domestic artists generated 156 million euros in royalties in 2025, and more than 57% of that amount came from independent artists or labels.

 

Artificial Intelligence and Streaming Fraud: The Major Challenges

Along with the growth figures, PROMUSICAE identifies two of the main challenges currently facing the industry: the development of artificial intelligence and streaming fraud.

 

The report warns that fraudulent streams generated by automated networks and AI tools divert revenue intended for legitimate creators and calls for coordinated action by platforms, distributors, labels, and regulators to strengthen control systems, identity verification, and information sharing within the industry.

 

Statement by Antonio Guisasola

At the presentation of the report, Antonio Guisasola, president of PROMUSICAE, emphasized that:

 

“The recorded music industry in Spain continues to grow at a rate above the international average thanks to record companies’ commitment to fostering talent and creativity. However, there is still significant room for growth if we can increase the penetration of streaming subscriptions and strengthen the conditions that allow our artists to compete on a level playing field in the global market.

 

To this end, public support in the form of production grants and tax incentives for the music industry is essential, as these measures support investment in Spanish music production and ultimately benefit the public coffers. Recorded music is the only discipline to which these tax deductions are unfairly not applied, whereas live music and audiovisual production do qualify for them. Its implementation in countries such as France and Italy has led to increased local production and higher tax revenues.

 

“At the same time, we must resolutely tackle challenges such as artificial intelligence and streaming fraud, while always ensuring respect for intellectual property and fair compensation for creators.”

 

 

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The platform for the internationalization of Spanish music will hold its official showcase on Thursday, September 17, at the Resonanzraum venue in Hamburg

 

Sounds From Spain will once again participate in the Reeperbahn Festival in Hamburg—one of the leading international events for live music and the European music industry—with a showcase scheduled for September 17 at the Resonanzraum venue. The Spanish platform will present a selection of four acts that reflect the diversity, creativity, and international appeal of today’s Spanish music: Le Parody (Born! Music), Melani (Clipper’s Music Group), La Amenaza Constante, and Señora Biónica (both on Subterfuge Records).

 

Spain’s participation is part of the internationalization initiatives promoted by Sounds From Spain, the platform comprising ICEX Spain Export and Investment, the General Directorate of Performing Arts and Music (DGAEM), the SGAE Foundation, AIE, PROMUSICAE, UFi, and A.R.T.E., which promotes the presence of Spanish artists and companies in major international music markets. The Reeperbahn Festival is one of the key events of this initiative, bringing together thousands of industry professionals, media representatives, agents, and programming directors from around the world each year. This event is coordinated and organized by PROMUSICAE with the support of ICEX Spain Export and Investment, the General Directorate of Performing Arts and Music (DGAEM), and AIE (Artists, Performers, and Musicians).

 

This year’s Spanish lineup brings together musical acts with very distinct identities but with one thing in common: a contemporary, innovative perspective that is open to international exposure.

 

Le Parody: Electronic Music and Folklore Without Borders

The artist and producer Le Parody has become one of the most distinctive voices on the Spanish independent music scene thanks to a style that combines folk, experimental electronic music, and a strong spirit of exploration. Her music blends musical traditions from different parts of the world with contemporary production and a unique artistic vision that has led her to perform on numerous international stages.

 

Melani: A New Generation Without Labels

At just 19 years old, Melani is one of the most promising emerging artists on the Spanish music scene. After gaining widespread recognition as the winner of *La Voz Kids* and Spain’s representative at the Junior Eurovision Song Contest, she has developed her own project that combines pop sensibilities, classical vocal training, and great interpretive versatility. His work symbolizes the emergence of a new generation of artists capable of moving effortlessly between different musical worlds.

 

The Constant Threat: Shoegaze and Emotion from Donostia

Hailing from Donostia, La Amenaza Constante ranks among the most promising bands on the new Spanish indie scene. Their sound, built on a combination of luminous melodies, expansive guitars, and immersive atmospheres, draws inspiration from shoegaze, noise pop, and indie rock. The band is currently promoting its debut album, establishing a sound that bridges San Sebastián’s musical tradition with contemporary international influences.

 

Señora Biónica: Irony, Post-Punk, and the DIY Spirit

The Madrid-based duo Señora Biónica brings a sharp, contemporary take on post-punk to the lineup. Their music combines powerful rhythmic foundations, lo-fi production, pop melodies, and lyrics brimming with irony that address the social and cultural concerns of a new generation. With a strong DIY ethos and a debut that has generated a great deal of interest within the alternative scene, the band is emerging as one of the most exciting acts of the moment.

 

Spanish music looks abroad

The presence of Sounds From Spain at Reeperbahn reaffirms the Spanish music industry’s commitment to internationalization and the promotion of its artists abroad. The Resonanzraum showcase will offer programmers, agents, specialized media, and accredited professionals a unique opportunity to discover some of the most dynamic and representative works in contemporary Spanish music.

Through initiatives like this one, Sounds From Spain continues to boost the international visibility of Spanish music and create new opportunities for export, collaboration, and professional development for artists and companies in the industry.

 

SHOWCASE SOUNDS FROM SPAIN – REEPERBAHN FESTIVAL 2026
📍 Resonanzraum (Hamburg)
📅 Thursday, September 17, 2026, starting at 8:00 p.m.
🎵 The Constant Threat · Le Parody · Melani · Mrs. Bionic